For those interested I updated my iPhone/Touch paint program Squiggles.
Click the Squiggles link above to see demo video and images.
This has even more advanced paint options (paint smoothing, opacity, paint modes),
stamps (color brushes using provided images), overlays (compositing with moving layers using the provided images), Text layers, eraser and Clone tools as well as distortion and interactive image adjustments.
Insights to Visual Effects for Motion Pictures and Television. Tips: Use the Search in the upper left to search the site or simply check the links on the right if you don't see what you're looking for. Comments are moderated so may take a couple of days to show up. All material here is © Scott Squires 2005-2017
Tuesday, August 19, 2008
Space Race
For those interested in a blast from the past (late 80's?, early 90's?) a ShowScan simulator ride I directed and Supervised is posted on the web. (Click Space Race above and scroll halfway down the page)
Showscan was a 70mm process developed by Doug Trumbull to run at 60fps. It loses a bit in the translation to 320 pixel web video. We shot this all in VistaVision at ILM and there is no CGI despite what the notes say. We built a 2-3 foot wide track that covered a 1/2 lap. This was shot motion control and redressed for each segment. All space vehicles are motion control models. This was probably the last all optical composited projects at ILM. Ned Gorman was the VFX producer (and Writer). Ned also spotted this video. Ty Ellingson was the Art Director.
The film played in both normal ShowScan theaters and in their simulator ride theaters that had motorized/hydraulic seats.
It played around the world including Toronto, Las Vegas and L.A. This was one of the most successful ride films at that time.
Showscan was a 70mm process developed by Doug Trumbull to run at 60fps. It loses a bit in the translation to 320 pixel web video. We shot this all in VistaVision at ILM and there is no CGI despite what the notes say. We built a 2-3 foot wide track that covered a 1/2 lap. This was shot motion control and redressed for each segment. All space vehicles are motion control models. This was probably the last all optical composited projects at ILM. Ned Gorman was the VFX producer (and Writer). Ned also spotted this video. Ty Ellingson was the Art Director.
The film played in both normal ShowScan theaters and in their simulator ride theaters that had motorized/hydraulic seats.
It played around the world including Toronto, Las Vegas and L.A. This was one of the most successful ride films at that time.
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